صورة المرأة في إبداع النص والرسم جنيات لار لرجاء عالم وشادية عالم أنموذجًا دراسة سيميائية د. دانيا عبد الرحمن صالح الغامدي

Abstract

Abstract:

The study of women image  in text  creativity and drawing of Lar  Fairies by Rajaa Alem and Shadia Alem as a model aims to reveal women image dimensions in Raja’a Alem’s narration and Shadia Alam’s drawing.As women are the  artistic work nerve in Lar Fairies.  It traces its formation semantically  at reality and fantasy level in the texts .It also embodies  it in the accompanying paintings artistically as a name and Color.   .It has been  done through defining women image dimensions between reality and fantasy in  Rajaa Alem’s narration , the dimensions of women image formation of  Shadia Alem’s drawing, and revealing women representations  between the text and drawing in  their work .The research adopted the semiotic approach in dealing with the texts. The study came in two sections and four demands, the first of which deals with: the semantic dimensions of the image of women in the fairies of Lar in two requirements: the human equivalent and the realism of perception, and the fantasy equivalent and the symbolism of perception. The second section deals with: the formation of the image of women in the fairies of Lar in two requirements: the names of the fairies, and the colors of the fairies. Among the most prominent results: Drawing women image dimensions from Arab women reality in Raja Alem’s narration , the emergence of symbolic perception of the fairies idea in references to ancient mythology, and the enhancement of colors in Shadia Alem's drawings of the emotional connotations of each character of Lar Fairies.

 Keywords: image, text, narration, symbol.