" سيميائية الصراع في المجموعة المسرحية "موت المغني فرج" لعبد العزيز السماعيل د. عبد القوي علي صالح العفيري (1).
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Abstract
This research reveals the nature of the conflict and its problematic elements in the play group (the death of the singer Faraj) by Abdul Aziz Al-Ismail, through the observation of its manifestations noted in dialogue, movement and theater instructions, as well as the manifestations that are noticeable and can be derived from the title of the text, the name of the character, the opening scene, the final scene, including a stand on its aesthetic techniques and all conclusions.
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This research reveals the nature of the conflict and its problematic elements in the play group (the death of the singer Faraj) by Abdul Aziz Al-Ismail, through the observation of its manifestations noted in dialogue, movement and theater instructions, as well as the manifestations that are noticeable and can be derived from the title of the text, the name of the character, the opening scene, the final scene, including a stand on its aesthetic techniques and all conclusions.